May 20, 2017—July 9, 2017
Newport Art Museum
76 Bellevue Avenue, Newport, RI 02840
View the online gallery (posted 4/7)
There will be a workshop with Kathleen Conover May 20—22, 2017, 9 am—4 pm. See the Workshops page for more information.
Our juror, Kathleen Conover, had the unenviable task of selecting 60 paintings from a pool of 530 entries. In her words, “I could put together three good shows from the NEWS entries.” These were the selections:
Lisa Bailey - Pedaling Memories
Brenda L. Bechtel - Memories of Infinitude
Anne Beinecke - Cricket
Anne Belson - The Wildflower Garden
Maureen Brookfield - Changing Sky
Gigi Burboeck - Bottles Bottles...
Patricia Cahalan - Harbor reflections
Sally E. Caswell - Evening Harmony
Anne Palms Chalmers - Blue Ridge Skies, Budding Out
Kendra Conn - Morning
Christine Coombs - Passing By
Frank Costantino - Sail Colors Amidst the Blue
Heather Crowley - Dare
Don Dalton - Osprey
Ann Trainor Domingue - We're In This Together
Joanne Donovan - Castalia Odorato-White Water Lily
Gerarde Doucette - Homeland Security
Gary Eckhart - Left In The Cold
Erin Farley - The Plumber, Part Two
Sandra Fries - Whitewater
Maryann Goblick - Yellow Apples and Bittersweet
Marla Greenfield - Berkshire Light
Becky Haletky - Art Deco Gone Wild
Beverly Hammerman - But...She looks Fine
Jack Haran - Cadaques Street
Ann Hart - Probable Cause II
Yvonne Hemingway - English Sparrows
John Holladay - Lobster Traps
Peter Hussey - Municipal Lamp
Maya Katz - Coming Together
Janet Laird-Lagassee - Boxes, 7 PM
Leslie Landrigan - Boys of Summer
Bill Lane - Benefit with Friends
Carolyn Latanision - Bay of Naples
Steven Lush - Rockport Art Galleries
Donna MacLure - Strings
Stephen Manning - Summer Fun
Antonio Masi - No Left Turn
Craig Masten - Power Plant
Joan McPherson - Harley Power
Sally Meding - Equal on a Cellular level
Maureen Mellowes - In the Bedroom
Sally Mitchell - From the Ship
Joan Murphy - Elisa
Robert Noreika - Sunset Lobstermen
Robert O'Brien - Brokedown Palace
Debra Petrowski - Fall Splendor
Ruth Ann Rego - Haki Brush
Harry Ruddock III - Bumpers and Bouys
Dawn Scaltreto - Wire Basket with Apples
Gary Smith - The Mooring
Mary Snowden - Geoff 2
Kathleen Staab - Kelly Jean
Bivenne Staiger - Oo la Zsa-Zsa!
Kristin Stashenko - Paris Waiter
John Tomasetti - Fenced In
James C. Varnum - Dream Catcher
Michael E. Vermette - Stacking Lobster Traps Monhegan Island
P. Anthony Visco - Food For Thought
June Webster - I Heart NY
|Submission deadline||March 10|
|Accepted work posted||April 1|
|Shipped paintings due||May 9|
|Painting drop-off||May 10, 1-4pm|
|Kathleen Conover demo||May 19, 1-3pm|
|Show opens||May 20|
|Kathleen Conover Workshop||May 20-22, 9am - 4pm|
|Reception & Awards||June 8, 5-7pm|
|Show closes||July 9|
|Pick-up accepted work||July 11, 1-4pm|
|Return of shipped work||after July 11|
Show Events (free and open to the public - held at the museum)
Friday, May 19, 1-3 pm - Watercolor demonstration by show juror, Kathleen Conover AWS-DF, NWS, ISEA-NF, TWSA
Sunday, June 4, 1-3 pm - Watermedia demonstration by Kurt Van Dexter
Sunday, June 25, 1-3 pm - "Why Watercolor?" - a presentation by Nancy Gaucher-Thomas, NWS
Framing of Accepted Work
White and off-white mats only. All work must be framed under Plexiglas. Wires must be attached so that they are not visible when the work is hanging. No sawtooth hangers allowed. Mat, frame and glazing package must have a professional look and must be in "as new" condition. Work not conforming to regulations WILL NOT BE EXHIBITED! Note size limitation of 60" in any direction, based on outside measurement of frame.
Delivery of Accepted Work
Hand delivered artwork must be received at the Newport Art Museum on Wednesday, May 10, 1-4 pm. To facilitate drop-off and return of work, accepted artists will be provided with a complete list of accepted entries so that cooperative arrangements for drop-off and pick-up can be made independently. Boston and Plymouth area satellite drop off locations and times will be available. A handling fee of $50 will be required of shipped work. Detailed shipping instructions will be provided upon acceptance to the exhibition. Shipped work must arrive by May 9.
A 40% commission will be retained by NEWS on all sales. Paintings will be sold at the price originally stated by the artists on entry. No changes will be accepted. No P.O.R.'s, no N.F.S.'s.
Return of Work
Work must be picked up at the Newport Art Museum on Tuesday, July 11 from 1—4 pm. Shipped works will be re-packed and returned to the shipper after July 11.
Neither the New England Watercolor Society nor the Newport Art Museum shall be held liable for any loss
It is the obligation of artists to exhibit accepted works. Failure wastes the opportunity of another artist to display their work or become eligible for signature membership. NEWS and Newport Art Museum reserve the right to photograph paintings or use digital images for publicity purposes.
Amended Feb. 2016. Subject to change.
The New England Watercolor Society primarily embraces traditional watermedia materials and practices. In view of the ever-broadening definition of the term "aqua media," we have developed the following framework of guidelines for our shows.
- Acceptable surfaces: Watercolor paper; toned watercolor paper; Yupo and similar synthetic papers; paper coated with water‐based varnish and gesso; textured paper; illustration board; watercolor board; rice paper
Unacceptable surfaces: Composite paper with embedded materials; wood or composite panels; gallery wrapped or stretched canvas; canvas paper; Duralar; Aquaboard, Clayboard or other coated wood or composite panel; unmounted canvas or other fabrics; Tyvec; metal; glass
- Media and Mediums
- Acceptable mediums: Watercolor; gouache; acrylic; acrylic mediums and watercolor mediums; ink; casein; egg tempera
Acceptable media up to 20%: line & wash; watercolor pencils; collage (waterbased, on or of paper); charcoal; graphite; wax accents and resists; waterbased monotypes and mono prints; embossing; metallic waterbased paint; waterbased iridescent paints or powders (not glitter)
Unacceptable media: Pastels; colored pencil other than watercolor pencil; impasto (thickly applied) acrylic and watermedia; fabrics; digital media or digitally enhanced images; multiple edition prints; sand; glitter; gold or metal leaf; collage from printed materials, newspaper, magazines, etc.; water‐miscible oil paints; photography; reproductions
- Framing and Presentation
- Work must be presented in a professional manner. No broken or damaged frames. Work must be glazed under Plexiglas or similar clear acrylic surface. No glass. No unglazed work accepted. Work may be floated within the frame, or presented with a single or double mat. White or off white mats only, liner mat less than 3/8" may be colored. Work must be wired with no wire or hanger showing when hung. No tooth hangers. Frames, Plexi and mat must be clean and in excellent shape!
- Exhibition History
- Work must not have been exhibited in a previous New England Watercolor Society Show. Work should have been completed within previous 10 years.
- No work copied from copywritten material (image from a card or calendar, other people's photo reference, etc.). No work partially or wholly painted by another. No work done in a workshop. All work must be for sale at the price originally stated on the entry form. Work must be the same work represented by the submitted digital images. No altered digital images may be submitted, artwork should be well represented by the image submitted. Work must be the size represented in the submission form.
The New England Watercolor Society hosts two shows each year: either a regional juried show or a national juried show (both biennial shows on alternate years) and a show of signature members work.
The regional juried shows, on odd numbered years, are open to any watercolor artist living in New England. The national juried shows, held on even numbered years, are open to any watercolor painter in North America. The venues and dates for these shows are decided show by show.
The Signature Members show is open to NEWS signature members only.